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Yeah, J, TRM is a fun sync to watch. One cool thing for me is that since it's been so long since I made it, I can appreciate it more objectively now. My favourite part is still the last 30-35 minutes, with the Marathon-Jacob-Bytor mix.

And while I didn't mention it in the recipe, I am glad that MJ added Rush's Grace Under Pressure as part of the Featured Synch graphic. It does, afterall, take up a good portion of the first half.

Just as an aside, this wasn't the first sync I incorporated film dialogue into. A few weeks prior, I played around with the film Contact, making a short 20-minute piece which I called Contact: A Rushian Suite, and threw in some Jodie Foster dialogue. As you can see, both the experiment and a bit of the title ended up being key in The Matrix sync.